Casino Partner Figures
01 · Term and function
What is Enchufla Doble?
Rueda extension of Enchufla: the Follow performs the Enchufla action twice in succession. In the common basic version this is followed by Dame una or the corresponding partner change.
a-tiempo, contratiempo
Lead, Follow
a tiempo · contratiempo
02 · Positions, timing and variants
Starting point, direction and variants
Timing, role context and spatial orientation are described separately. Names and execution details can vary across salsa styles, schools and regions.
Double enchufla
Casino Partner Figures
casino, rueda
a-tiempo, contratiempo
Note: Naming and exact sequencing may vary by region or school. This entry describes a widely encountered core idea and does not claim a worldwide rueda standard.
03 · Technical execution
What matters in Enchufla Doble
The figure begins with one complete Follow Enchufla action. Turn and position change remain readable as a complete first section.
The Enchufla action is then performed a second time. Here, doble refers to repeating the Enchufla structure rather than creating one uninterrupted multiple turn.
Between both actions, weight, spacing, and connection are organized so the second Enchufla receives a new clear directional impulse.
In the common Rueda basic form, the second Enchufla is followed by Dame una or the corresponding change to the next partner.
The hand connection communicates direction and timing without pulling the Follow through either turning action by arm or shoulder.
04 · Body knowledge
Body organization in Enchufla Doble
Each Enchufla phase has its own weight and turning organization. The second is not produced only by residual momentum from the first.
After the first action, support is clear enough to begin the second Enchufla deliberately.
After the second action there is sufficient spatial orientation for Dame una or the locally used partner change.
05 · For beginners
Build Enchufla Doble clearly first
Practice a single Enchufla with a clear turn and clean position change.
Only then add a second complete Enchufla. Avoid merging both sections into one long turn.
Are the first and second Enchufla individually readable, with the following partner change spatially clear?
06 · Teaching and feedback
What to observe in a controlled Enchufla Doble
The figure contains two complete and distinguishable Enchufla actions.
The first action does not need to be defined by artificially stopping or pulling the Follow back.
After the second Enchufla, Dame una or the agreed partner change can begin without a corrective step.
07 · Continue learning
From Enchufla Doble to related movements
Extended Sombrero figure using several successive two-hand and side-changing pathways. One common version begins with Sombrero, moves into a reverse-Sombrero-like return pathway, and then uses further turning and hand pathways before resolving with Dile que no.
Compact Casino turn-and-place-change figure in which the follow turns under the hand and the couple re-establishes orientation.
The name Setenta Doble is not used consistently across schools. One variant uses two clearly separated Setenta wrap-and-unwind cycles before the final exit.
Alias entry for the same closed-position Casino base action as Adentro y afuera: rhythmic opening and closing of the couple space with elastic weight transfer. Regionally the name does not identify a uniquely different choreography.
Bayamo denotes a family of Casino figures with crossed two-hand connection and a Rodeo-Inverso-like circular pathway as a recurring core idea. Entries and exits vary; Sombrero is a possible but not defining resolution.
Coca-Cola can denote the Follow’s traveling left turn layered onto a Casino walking/Dile-que-no passage. The rotation is superimposed on continuing travel rather than performed as a stationary spot turn.
In common Casino versions, El Dedo combines a guided Follow right turn with Enchufla or a Follow left turn, a Lead right/outward turn, and Dile que no. Starting handhold varies; right-to-right is documented alongside other one-hand variations.
Fundamental Casino figure and common transition from closed to open position: the Follow passes the Lead on a curved walking pathway while the Lead opens space, and both finish oriented toward each other again.
The name Dile que sí is school-dependent. One couple variant uses a hand-held Vacílala from open position to bring the Follow back into closed or near-closed couple position.
Additional professional background
Book on learning, body knowledge and partner communication
The movement lexicon complements The Salsa Teaching Tree by Mathias Ellmann. The book connects movement, perception and partner communication with body knowledge, motivation, musicality and sustainable learning.
The Salsa Teaching Tree
A holistic orientation model for salsa learning and teaching that goes beyond collecting steps and figures and connects body organization, music, perception, decision-making and partner communication.
View The Salsa Teaching TreeConcept · Salsa knowledge · learning · partner communication
Mathias Ellmann
Mathias Ellmann develops the Salsa Movement Lexicon as a connection between dance technique, body knowledge, musicality, learning and partner communication.
Movement is not considered only in terms of which steps or figures are danced, but also how weight, timing, space, perception and connection interact.
Leading and following are treated as reciprocal communication: one person prepares movement possibilities and makes them perceptible, while the other responds through self-organized movement. Both roles remain perceptive, adaptive and autonomous.